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Biography |
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Biography
Alice Aycock was born in Harrisburg, PA. She received
a B.A. from Douglass
College and an M.A. from Hunter College. She was represented
by the John
Weber Gallery in New York City from 1976 through 2001 and
has exhibited in
major museums and galleries in the Americas, Europe, and
Japan. She has
received numerous awards including four National Endowment
for the Arts
Fellowships.
Alice's work is found in major collections including the
Museum of Modern Art,
the Metropolitan Museum of Art, the Brooklyn Museum and
the Whitney
Museum of American Art; the Los Angeles County Museum, the
Kunstmuseum in
Basel, Switzerland, and the Staatsgalerie in Stuttgart,
Germany. In 1977 she had a
“Projects Room” exhibition at the Museum of Modern Art in
New York, and in
1983 she had a solo exhibition at The Museum of Contemporary
Art in Chicago,
Illinois.
To date she has had two major retrospective exhibitions.
The first surveyed her
work between 1972 and 1983. This was a traveling show that
was organized by the
Wurttembergischer Kunstverein in Stuttgart, Germany. Her
most recent
retrospective entitled "Complex Visions" was organized by
the Storm King Art
Center in Mountainville, New York in 1990. Alice has also
exhibited in many
group exhibitions. In 1977 and 1987 she created works for
"Documenta" in
Kassel, Germany. In 1978, 1980, and 1982 she exhibited at
the Venice Biennale in
Venice, Italy. And in 1979 and 1981 she exhibited in the
Whitney Biennial in New
York City.
Alice Aycock's public sculptures can be found in major
cities Throughout the
United States including New York City, San Francisco, Nashville,
Dallas, and
Philadelphia. In collaboration with Nicholas Quennell of
the landscape firm of
Quennell Rothschild Associates and HOK/TCA, Associated Architects
for the
New York Hospital, she designed a sculptural roof installation,
East River
Roundabout, for the new East River Park Pavilion at 60th
Street in New York
City. This was installed in the fall of 1995. In 1996 she
inaugurated a new work for
the New San Francisco Public Library - a functional and
fantasy spiral stairs and
a suspended "Cyclone Fragment". The work required close
collaboration with
the library's principal architect James Ingo Freed of Pei,
Cobb, Freed and
Partners. Concurrently, she opened a new suspended sculpture
for the
Sacramento Convention Center in California. In the spring
of 1998, The Star
Sifter, a large architectural sculpture for the rotunda
of the new Terminal One at
JFK International Airport was installed. Ghost Ballet for
the East Bank
Machineworks, Nashville, Tennessee was completed in 2008
and floating pool
sculpture for the new Central Broward Regional Park County,
Florida will be
installed in the early summer of 2008. An outdoor sculpture
for the Johnson-Ward
Pedestrian Mall at the University of Tennessee, Knoxville
is planned for Spring
2009.
The MIT Press published the artist’s first hardcover monograph
in 2005, entitled
Alice Aycock, Sculpture and Projects, authored by Robert
Hobbs. Alice has been
a member of the New York City Arts Commission since 2003
and she has also
been appointed to the GSA’s National Register of Peer Professionals.
She has
taught at numerous colleges and universities including Yale
University (1988-92)
and as the Director of Graduate Sculpture Studies (1991-92).
She has taught at the
School of Visual Arts since 1991.
Major Large Scale Works /
Solo Exhibitions
2008 On the Interaction of Particles of Thought, Tunxis
Community
College,
Farmington, Connecticut
2007 Strange Attracter for Kansas City, Kansas City
International Airport
Ghost
Ballet for East Bank Machineworks, Nashville, Tennessee
The
Uncertainty of Ground State Fluctuations, Clayton,
Missouri
A
Little Cosmic Rhythm, 654 Madison Avenue, New York
City
2005 Starsifter Galaxy NGC 4314, Ramapo College of New
Jersey: Sports
and
Recreation Center, Mahwah, New Jersey
2004 Swing Over, Portico sculpture for General Services
Administration
Fallon
Building, Baltimore, Maryland
2003 Dallas Dahlia, New Dallas Police Headquarters,
Dallas, Texas.
Spindizzy,
Rowland State Government Center, Waterbury,
Connecticut
2002 Maze 2000, University of South Florida's Psychology/CSD
Building,
Tampa,
Florida
2001 What the Traveler Needs to Know for Mechanical Operations
on the
Stars,
Philadelphia International Airport, US Airways Terminal
F,
Philadelphia,
Pennsylvania
Ephemera,
Etc, Part 1: The Talking Hands, Principality of Monaco
Sculpture
Garden
1998 The Star Sifter, the Rotunda at Terminal One, JFK
International
Airport
Jamaica, New York
The
Juggler of Memories, John Weber Gallery, New York City
1997 The Tuning Fork Oracle, Center for the Arts and
Planning, Mason
Gross
School of the Arts, Rutgers University, New Brunswick, NJ
Fantasy
Sculpture for the Orchard, Kunst in Kattenbroek,
Amersfoortse
Culturele Raad, The Netherlands
Waltzing Matilda, Guild Hall Museum, East Hampton,
New York
1996 Some Stories Are Worth Repeating: Projects 1973-1995,
Retrospective,
Drawings and Models, John Weber Gallery, New York
City
Project
for East Lobby Ballroom: Sacramento Convention Center,
Sacramento,
California
San
Francisco Main Library: Functional and Fantasy Stair and
Cyclone
Fragment, San Francisco, California
1995 East River Roundabout, Project for 60th Street
East River Pavilion,
New
York City, New York
New
Work, Grand Arts Gallery, Kansas City, Missouri
1993 This Is An Endless Tale...., Sculpture and Drawings,
John Weber
Gallery,
New York City
Sculpture,
Drawings, Prints, Sean Kelley Studio, Kansas City,
Missouri
Waterworks
Installation, University of Nebraska, Omaha, Nebraska
1992
Project for the 107th Police Precinct, Queens,
New York, Rooftop
installation
Summaries
of Arithmetic Through Dust, Including Writing Not Yet
Printed,
University of Michigan, Ann Arbor, Michigan
1991 Alice Aycock: Zeichnungen, Galerie Grita Insam,
Wien, Austria
1990/1992 Tree of Life Fantasy:
Synopsis of the Book of Questions Concerning
the
World Order and/or the Order of Worlds, University
of Illinois
at
Urbana-Champaign, originally built for Abington Art Center,
Jenkintown,
Pennsylvania
Selected Drawings by Alice
Aycock, Yoshiaki Inoue Gallery, Osaka,
Japan
1990 Drawings, John Weber Gallery, New York City
Complex
Visions: Sculpture and Drawings, a Retrospective, Storm
King
Art Center, Mountainville, New York
Drawings & Sculpture, Insam Gleicher Gallery,
Chicago, Illinois
1989 Impossibilism, City Gallery Of Contemporary Art,
Raleigh, North
Carolina
The
Islands of the Moons and Suns, J. Robert Orton and
Ming
Murray
Sculpture Garden, La Jolla, California
1988 Drawings, John Weber Gallery, New York City
Universe
Wheel, State University at Buffalo, Buffalo, New York
1987,1990 Three-Fold Manifestation
II, Storm King Art Center, Mountainville,
New
York, originally installed at Doris Freedman Plaza, New
York
City,
Gallerie Walter Storms, Munich, West Germany
The Six Of
Pentacles: To Know All Manner Of Things, Kunstforum,
Munich,
West Germany
The
Islands Of The Rose Apple Tree Surrounded By The Oceans
Of
The
World For You, My Darling, Western Washington University,
Bellingham,
Washington
1986 Sitings, Threefold Manifestation I, Tel Aviv Museum,
Tel Aviv,
Israel
John Weber Gallery, New York City
The
Tower Of Babel, Bushnami Sculpture Garden, Texas
1985 The Chart of Magnetic Forces, Humanic Corporation
Artists
Residency
Program, Graz, Austria
Alice
Aycock, Serpentine Gallery, London, England
New
Drawings, Insam Gallery, Vienna, Austria
Alice Aycock, Madison Art Center, Madison, Wisconsin
Alice
Aycock, selected drawings and sculptures, Vanguard
Gallery,
Philadelphia,
Pennsylvania
Resource
and Response, The Machine That Makes The World,
Sheldon
Memorial Art Gallery, Lincoln, Nebraska; Catalogue
Vanguard Gallery, Philadelphia, Pennsylvania
1984 New Work, John Weber Gallery, New York City
Three New Sculptures, McIntosh/Drysdale Gallery, Houston,
Texas
The
Great God Pan from the series entitled The Machine That
Makes
The
World, subtitled Pie In The Sky, Salisbury State College,
Salisbury,
Maryland
The
House Of Stoics, Environment and Sculpture, The International
Contemporary
Sculpture Symposium, Lake Biwa, Japan
The Hundred Small Rooms, Bayou Show, The Houston Festival,
Houston
Texas (Reinstalled at Laumier Sculpture Park, St Louis,
Missouri,
1986)
1983-84 Retrospective
of Projects and Ideas 1972-1983, The Thousand And
One
Nights In The Mansion Of Bliss, Part II, The Fortress Of
Utopia,
Wurttembergischer Kunstverein, travelling: Kolnischer
Kunstverein,
Cologne, Germany; Sculpturenmuseum Glaskasten,
Marl,
Germany; The Hague Municipal Museum, The Hague,
Holland;
Kunstmuseum Luzern, Luzern, Switzerland (with
catalogue);
Stuttgart, Germany
1983 The Nets Of Solomon, Phase II, Museum of Contemporary
Art,
Chicago,
Illinois
The Thousand And One Nights In The Mansion Of Bliss,
Protetch
McNeil
Gallery, New York City
Klein Gallery, Chicago Illinois
The
Solar Wind, from the series entitled A Theory Of
Universal
Causality
(Time /Creation Machines), Roanoke College, Salem,
Virginia
1982 A Theory For Universal Causality (Time/Creation Machines),
Lawrence
Oliver Gallery, Philadelphia, Pennsylvania
Projects and Proposals, McIntosh/Drysdale
New Work, John Weber Gallery, New York City
The
Miraculating Machine In The Garden (Tower Of The Winds),
Douglass
College, New Brunswick, New Jersey
Nets Of Solomon, permanent installations at Fattoria
de Pistoria,
Italy
Hoodo
(Laura) Vertical and Horizontal Cross Sections
Of Ether
Wind,
The Atrium Building, Philadelphia, Pennsylvania
1981 The Savage Sparkler, State University of Plattsburgh,
Plattsburgh,
New
York
New
Work, John Weber Gallery, New York City
Drawings,
Locus Solus, Genoa, Italy
1980 The Rotary Lightning Express, P.S. 1, Institute
for Art and Urban
Resources,
Long Island City, New York
Collected Ghost Stories From The Workhouse, University
of South
Florida,
Tampa, Florida
The Game of Flyers, Washington Public Arts, Washington
D.C.
The
Large Scale Dis/Integration Of Micro-Electronic Memories,
Battery
Park City Landfill, New York City
Protetch-McIntosh Gallery, Washington D.C.
1979 Explanation, An, Of Spring And The Weight Of Air,
The
Contemporary
Art Center, Cincinnati, Ohio
Studies In Mesmerism, University Gallery, Amherst,
Massachussettes
How
To Catch And Manufacture Ghosts, and The Machine That
Makes
The World, John Weber Gallery, New York City
The
Central Machine, Machinations, Protetch-McIntosh Gallery,
Washington
D.C.
Flights
Of Fancy, San Francisco Art Institute, San Francisco,
California
1978 History Of Beautiful May Rose Garden In The Month of
January,
Project
for PCA 4, Philadelphia College of Art, Philadelphia,
Pa
The
Happy Birthday Coronation Piece, Projects and Proposals,
Muhlenberg
College Center for the Arts, Allentown, Pennsylvania,
The Angels Continue Turning The Wheels Of The Universe
Despite
Their
Ugly Souls..., Salvatore Ala, Milan, Italy
On The Eve Of The Industrial Revolution, a City Engaged
In the
Production
of False Miracles, Cranbrook Academy of Art,
Bloomfield
Hills, Michigan
The Sign On The Door Read The Sign On The Door...,
University of
Rhode
Island, Kingston, Rhode Island
Untitled
(Medieval Wheel House) and Untitled (Ramp
Sculpture),
John Weber Gallery, New York City
A
Precarious Method For Attacking An Enemy Fortress,
Portland
Center
for Visual Arts, Portland, Oregon
1977 The True And The False Project Entitled, The World Is
So Full Of A
Number
Of Things, 112 Greene Street Gallery, New York City
Studies
For A Town, Project Room, Museum of Modern Art, New
York
1976 Wooden Shacks On Stilts With Platform,Hartford
Art School, Cn.
Circular Building With Narrow Ledges For Walking,
Fry Farm,
Silver
Springs,
Pennsylvania
1974 Williams College Project, Williams College Museum
of Art,
Williamstown,
Massachusetts
Stairs
(These Stairs Can Be Climbed), 112 Greene Street Gallery,
New
York City
Walled
Trench/ Earth Platform/Center Pit, Gibney Farm, New
Kingston,
Pennsylvania
Simple Network of Underground Wells And Tunnels, Projects
in
Nature,
Merriewold West, Far Hills, New Jersey
1973 Low Building With Dirt Roof (For Mary), Gibney
Farm, New
Kingston,
Pennsylvania
1972 Maze, Gibney Farm, New Kingston, Pennsylvania
1971 Sun/Glass, Fry Farm, Silver Springs, Pennsylvania
Selected Group Exhibitions
2005 North Fork- South Fork: East End Art
Now, Parrish Art Museum,
Southampton, New York.
2004 The Modernist Debate: American Artistic Discourse, 1955-1975,
Circulo de Bellas Artes, Madrid, Spain (traveling show)
2003 Invitational Exhibition of Painting and Sculpture,
American
Academy of Arts and Letters, New York City
2000 In Process: Photographs From the 60's and 70's,
Curt Marcus
Gallery, New York City
1996-1998 Large Scale
Drawings from the Collection of Wynn Kramarsky, The
Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
1996 Trilogy Art-Nature-Science Kunsthallen Brandts
Klaidefabrik,
Odense, Denmark
Art at the End of the 20th Century, Selections from
the
Whitney Museum of Art, National Gallery,
Athens
1993 Different Natures, La Defense, Paris; traveling
to La Virreina:
Barcelona, Spain
1992 Volume 6: Contemporary Sculptors, Guild Hall Museum,
East
Hampton, New York
1991-92 Schwerlos, Museum Fur Moderne Kunst, Berlin, Germany.
Catalogue
1991
Storm King Art Center, Mountainville, New York
Enclosures
and Encounters: Architectural Aspects of Recent
Sculpture, Storm King Art Center; Mountainville, New
York
1990 Technological Muse, Katonah Museum of Art, Katonah,
New York
10 Projects pour Alsace, CEAAC, Strasbourg, France
1989 Encore, Celebrating Fifty Years, Contemporary Arts
Center,
Cincinnati,
Making Their Mark, traveling exhibition to Cincinnati
Art Museum,
Cincinnati, Ohio; New Orleans Museum of Art, New Orleans,
Louisiana
Denver Art Museum, Denver, Colorado; Pennsylvania Art Academy,
Pennsylvania, Catalogue
1988 Alice Aycock, Daniel Buren, Hamish Fulton, Marco Gastini,
Jack
Goldstein, Sol LeWitt, Robert Smithson, John Weber
Gallery, New
York City
1987 Sculpture of the Eighties, Queens Museum, Flushing,
New York
New Acquisitions, John Bergerrun Gallery, San Francisco,
California
Documenta 8, Kassel, West Germany. Catalogue
Contemporary Art Center, Fata Morgana, Cincinnati, Ohio
Fringe Pattern, Universal Stirrer, Cleveland Center
For
Contemporary Art, Cleveland, OH; Cooper Union, New York
City
L'Etat des Choses 2, Kunstmuseum, Luzern Switzerland
Eccentric Machines, John Michael Kohler Arts Center,
Sheboygan,
Wisconsin
1986 An American Renaissance: Painting and "Sculpture
Since 1940,
Museum of Art, Fort Lauderdale, Florida
Sitings, La Jolla Museum of Contemporary Art, La
Jolla, California.
Catalogue
1985 Rethinking the Avant-Garde The Katonah Gallery,
New York City.
Catalogue
Modern Machines, Recent Kinetic Sculpture, Whitney
Museum of
American Art at Phillip Morris, New York City. Catalogue
On Drawing Aspects of Drawing, (traveling exhibition),
Frankfurter
Kunsteverin, Germany. Catalogue
Sao Paulo Biennale, Sao Paulo, Brazil
Triennale Di Milano, Viale Alemagna, Milano, Italy.
Catalogue
Art and The Environment, Lever House, New York
City
1984 Metamanhattan, Whitney Museum of American Art,
Downtown
Branch, New York City
Cosmic Images in the Art of the 20th Century, Tel
Aviv Museum,
Tel Aviv, Israel
Time-4th Dimension in the Visual Arts, Societe
Des Expositions,
Due Palais Des Beaux-Arts, Brussels, Belgium; catalogue;
traveling
to Bordeaux (CAPC), Geneva (Raith Museum), Vienna (Museum
of
Modern Art), and London (Barbican Center)
Content: A Contemporary Focus, 1974-1984, Hirshhorn
Museum and
Sculpture Garden, Washington, D.C. Catalogue
1983 Recent Acquisitions: Works on Paper, The Solomon
Guggenheim
Museum, New York City
The St. Gall Pantomime, Het Idee Van De Stad, Kunst
Actua liteiten
Arnhem, Holland. Catalogue
The Leonardo Swirl II, Biennale 17, Middelheim,
Antwerpen,
Belgium
ARS 83, The Art Museum of the Atheneum, Helsinki,
Finland
Cosmic Images In 20th Century Art, Staatliche Kunstalle,
Baden-Baden, BadenWurttemberg, Germany
1982 Past-Present-Future, Wurttembergischer Kunstverein,
Stuttgart,
Germany
1981 Mock Suns And Halos 'Round The Moon, Machineworks,
Institute
of Contemporary Art, University of Pennsylvania, Philadelphia,
Pennsylvania. Catalogue
The Miraculating Machine: The Charmed Circle, Myth &
Ritual,
Kunsthuas, Zurich, Switzerland. Catalogue.
Collaboration: Artists and Architects, New York
Historical Society,
New York City. Book edited by Barbaralee Diamonstein
Whitney Biennial-1981, Whitney Museum of American
Art, New
York City
Natur- Skulptur, Wurttembergischer Kunstverein,
Stuttgart,
Germany. Catalogue
Hoodo (Laura) Vertical And Horizontal Cross Sections
Of Ether
Wind, Metaphor, New Projects By Contemporary Sculptors,
Hirshhorn Museum and Sculpture, Washington D.C.
1980 Drawings: The Pluralist Decade, 39th Venice Biennale
1980, United
States Pavilion, Institute of Contemporary Art, University
of
Pennsylvania, PA
American Drawing in Black & White: 1970-1980,
The Brooklyn
Museum, Brooklyn, New York
Ghosts, University of California at Irvine, Irvine,
California,
Projects: Architectural Sculpture, organized by the
Los Angeles
Institute of Contemporary Art, Los Angeles, CA
1979 Whitney Biennial 1979, Whitney Museum of American
Art, NY
The Decade in Review, Whitney Museum of American Art,
Contemporary Sculpture, Selections from the Collection,
Museum
of Modern Art, New York City
1978 Untitled Shanty, Architectural Analogues, Downtown
Branch,
Whitney Museum, New York City
The Angels Continue Turning The Wheels Of The Universe:
Part II,
Made by Sculptors, Stedelijk Museum, Amsterdam, Holland
Untitled, Venice Biennale, Venice,
Italy
A Great Big Drawing Show, Institute of Art &
Urban Resources,
P.S. 1, Long Island City, New York
1977 Project entitled The Beginnings Of A Complex..., For
Documenta,
"Documenta 6", Kassel, Germany
Project entitled The Beginnings Of A Complex..., Excerpt
Shaft
#4/Five Walls, Art Park, Lewiston, New York
1976 Wooden Posts Surrounded By Fire Pits, Sculpture Sited,
Nassau
County Museum of Fine Arts, Roslyn, New York
1975 Simple Network Of Underground Wells And Tunnels, Projects
in
Nature, Merriwold, Far Hills, NJ.
Scaffolding, 112 Greene Street Gallery, New York
City
Biennale de Paris, Musee d'Art Moderne, Paris,
France
1974 C. 7500, organized by Lucy Lippard, California
Institute of the Arts,
Valencia, California; traveling: Wadsworth Atheneum, Hartford,
Connecticut; Moore College of Art, Philadelphia, Pennsylvania;
Institute of Contemporary Art, Boston, Massachusetts
Projeckt '74, Wallraf-Richartz Museum, Cologne, Germany,
Walker Art Center, Minneapolis, Minnesota; traveling: Smith
College Museum of Art, Northhampton, Massachusetts; 48 Earlham
Street, Covent Garden, London; A.I.R. Gallery, New York
City;
And/Or Gallery, Seattle, Washington
Interventions in Landscape, Massachusetts Institute
of Technology,
Cambridge, Massachusetts
1972 Untitled V, Museum of Modern Art, New York City
Communications, Inhibodress Gallery, Sydney, Australia
1971 26 Contemporary Women Artists, Aldrich Museum of
Contemporary
Art, Ridgefield, Connecticut
112 Greene Street Gallery, New York City
Films
Fourteen Americans: Directions of the 1970's, Blackwood
Films, New York, 1979
Imagining America, Icons of
20th Century American Art, MUSE Film and
Television Inc., 2005
Articles
Crary, Jonathan, "Projects in Nature", Arts Magazine,
December 1975
Glueck, Grace, "A Sculptor Whose Imagery is Encyclopedic",
The New York
Times, August 15, 1990
Jones, K. Marriott, "Alice Aycock: John Weber Gallery,"
Artforum, Summer, 1993
Kamin Rapaport, Brooke, “Alice Aycock, Public Artist”,
Sculpture, December
2003
Kimmelman, Michael, "Alice Aycock's Mighty Sculpture",
The New York Times,
July 6th, 1990
Kuspit, Donald, "Aycock's Dream Houses", Art
in America, September 1980
Kwinter, Sanford, "Alice Aycock at John Weber",
Art in America, April 1983
Larson, Kay, "Alice In Duchamp-Land", New York
Times, May 25, 1981
Larson, Kay "The See of Knowledge", New York
Magazine, July 30 1990
Lippard, Lucy, "Complexes: Sculpture In Nature",
Art in America,
January/February 1979
Morgan, Stuart, "Machine Works", Philadelphia
Institute of Contemporary Art",
Artforum, Summer 1981
Morris, Robert, "Aligned With the Nazca", Artforum,
October 1975
Phillips, Patricia, "Alice Aycock; Storm King Art
Center", Artforum
International, October, 1990
Price, Aimee Brown, "A Conversation with Alice Aycock",
Architectural Digest,
April 1983
Stevens, Mark, "Shifting Shapes of Sculpture",
Newsweek, November 22, 1982
Scheffield, Margaret, "Mystery under Construction",
Artforum, September 1977
Tomkins, Calvin, “After the Towers: Nine Artists
Imagine a Memorial”, The
New Yorker, July 15, 2002
Van Damme, Leo, "Alice A. in Wonderland, The Investigations
of Alice Aycock",
Arte Factum, March 1984, Belgium
Yanagi, Masahiko, "Alice in Magic Land, and Interview
with Alice Aycock by
Masahiko Yanagi" MIZUE,
Autumn, 1990
Books
Archer, Michael, Art Since 1960, World of Art, Thames and
Hudson Ltd, London,
Aycock, Alice, "Project
Entitled, 'The Beginnings of A Complex...' (1976-
1977): Notes, Drawings,
Photographs", Lapp Princess Press, Ltd. in
association with Printed
Matter, Inc., 1977
Boettger, Suzaan, Earthworks: Art and Landscape of the
Sixties, University of
California Press, Berkeley
and Los Angeles
Collette Garrard, L'idée de nature dans l'art contemporain,
Flammarion, Paris,
1993
Davies, Hugh and Onorato, Ronald, Blurring the Boundaries:
Installation Art
1969-1996, Museum of Contemporary
Art, San Diego, D.A.P
Diamonstein, Barbaralee, editor, Artists and Architects
Collaboration, Whitney
Library of Design, Watson-Guptill
Publications, NY, 1981
Eshoo, Amy (ed.), 560 Broadway: A New York Drawing Collection
at Work, Fifth
Floor Foundation, New York,
in association with Yale University Press
Graficas Vernetta (Pub.), History and Nature: The Gori
Collection, Fattoria di
Celle, IVAM Institut Valencia
d’Art Modern, Valencia, Italy, 2003
Hobbs, Robert. Alice Aycock: Sculpture and Projects, M.I.T.
Press, Cambridge,
Massachusetts, 2005 (hardcover
monograph)
Fineberg, Jonathan, Art Since 1940, Strategies Of Being,
Harry N. Abrams, Inc.,
Publishers, New York City,
1995
Fineberg, Jonathan, Art Since 1945, Prentice-Hall, 1994
Foster, Hal, editor, The Anti-Aesthetic, Essays on Postmodern
Culture, Bay
Press, Washington, 1983
Lippard, Lucy, Six Years: The Dematerialization of the
Art Object from 1966-72,
Praeger, New York, 1972
Lippard, Lucy, From the Center, Feminist Essays on Women's
Art, E.P. Dutton
and Co., Inc., New York,
1976
Lippard, Lucy, Overlay, Contemporary Art and the Art of
Prehistory, Pantheon
Books, New York, 1983
Lucie-Smith, Edward, Art in The Seventies, Cornell University
Press, Ithaca,
New York, 1980
Robins, Corinne, The Pluralist Era, American Art 1968-1981,
Harper and Row,
New York, 1984
Schwartz, Joyce Pomeroy, "Public Art", Encyclopedia
of Architecture, vol. 4,
Wilkes, Joseph A., ed., John
Wiley & Sons Publishers
Sky, Allison and Stone, Michelle, Unbuilt American, Forgotten
Architecture In
The United States from Thomas
Jefferson The Space Age, McGraw-Hill Book
Company, 1976
Sondheim, Alan, editor, Individuals: Post-Movement Art
in America, Work 1972-
1974", by Alice
Aycock
Sonfist, Alan, editor, Art in The Land, A Critical Anthology
of Environmental
Art, E.P. Dutton, Inc., New
York
Stiles, Kristine and Selz, Peter, Theories and Documents
of Contemporary Art,
University of California
Press, California Tiberghien, Gilles A. Nature, Art,
Paysage, Actes Sud/ Ecole
Nationale Superieure Du Paysage/Centre Du
Paysage, Arles, France, 2001
Wines, James, De-Architecture, Rizzoli International Publications,
Inc., New
York, 1987
Catalogues
After Years of Rumination on the Events That Led Up
to This Misfortune, Alice
Aycock--Projects and Proposals,
with essays by Stuart Morgan and Edward
Fry, Denton, Monroe, editor,
Muhlenberg College Center for the Arts,
Allentown, PA, 1978/79
Alice Aycock: Fantasies on the Tree of Like,
Krannert Art Museum, University of
Illinois, Urbana-Champagne,
1992
Alice Aycock, Five Semi-Architectural Project",
An Exhibition Organized by
Lucy R. Lippard, C. 7500,
1973-1974. California Institute of Arts, Valencia,
CA, 1973
Alice Aycock Projects, Introduction by Edward
Fry, University of South Florida,
1981
Alice Aycock, Retrospective of Projects and Ideas,
1972-1983, Wurttem bergischer
Kunstverein Stuttgart, 1983
Alice Aycock and Robert Stackhouse, Laumeier
Sculpture Park, St. Louis, MO,
1988
Alice Aycock: The Wonderful Pig of Knowledge,
Stuart Morgan, Serpentine
Gallery, London, 1985
An American Odyssey 1945/1980: Debating Modernism,
Exhibition curated by
Stephen C. Foster, Circulo
de Bellas Artes, Madrid, Spain (traveling), 2004
Architects' Drawings/Artists' Buildings, Drawings:
The Pluralist Decade, 39th
Venice Biennale, 1980, Krauss,
Rosalind, Institute of Contemporary Art,
University of Pennsylvania,
1980
Architectural Sculpture, Essays by Susan C. Larsen
and Lucy R. Lippard, Los
Angeles Institute of Contemporary
Art, Los Angeles, 1980
ARS 83 Helsinki, The Museum of the Atheneum,
Helsinki, Finland, 1983, p. 82-83
Avant-Garde in the Eighties, Los Angeles County
Museum of Art, 1987,
introduction by Howard Fox
Biennale 17, Middelheim Antwerpen, Belgium, 1983
Complex Visions: Sculpture and Drawings by Alice Aycock,
essay and interview
by Johnathan Fineberg, Storm
King Art Center, NY, 1990
Connections, Bridges/Ladders/Ramps/Staircases/Tunnels,
Kardon, Janet,
Institute of Contemporary
Art, University of Pennsylvania, PA, 1983
Contemporary Art in Context, by Christopher Lyon,
The Museum of Modern Art,
New York City, 1990
Contemporary Sculpture: Selections from the Collection
of the Museum of
Modern Art, McShine,
Kynaston, Museum of Modern Art, New York, 1979
Die Kunst Der Linie: Moglichkeiten des Graphischen,
Published by
Landesgalerie, Germany, with
essays by Wieland Schmeid, Monika
Oberchristl, Heinz Hofchen,
and others, 2000
Documenta 6, Kassel, Germany, Vol. 1, 1977
Documenta 8, Kassel, West Germany
Dwellings, Institute of Contemporary Art, University
of Pennsylvania,
Philadelphia, PA, 1978
Enclosures and Encounters Architectural Aspects of
Recent Sculpture, by
Maureen Megerian, Storm King
Art Center, Mountainville, New York, 1991
Environmental Art, E.P. Dutton, Inc., New York,
1983
50 Kunstler Katalogue, by Aflred Krupp von Bohlen
and Halbach Stiftung,
Germany, 1990
Forum Sculptuur 83, Stichting Forum, Middelburg,
Holland, 1983
Het Idee Van De Stad, Kunst Actualiteiten Arnhem,
Arnhem, Holland, 1983
History of a Beautiful May Rose Garden in the Month
of January, Projects Miro,
Marsha, Sculpture at Cranbrook,
Kardon, Janet, 1978-1980
Impossibilism, City Gallery of Contemporary Art,
text by Jonathan Fineberg,
Raleigh, 1989
Kosmische Bilder in der Kunst des 20, Jahrhunderts,
Staatliche Kunstahalle,
Baden-Baden, Germany, 1983
L'Art et Le Temps, Regards Sur La Quatrieme Dimension,
Societe Des
Expositions Du Palais Des
Beaux-Arts, Bruxelles, Belgium, 1984
Louisiana, The Collection and Buildings, Museum
of Modern Art, Denmark, 1988
Machineworks: Vito Acconci, Alice Aycock, Dennis Oppenheim,
Essays by Janet
Kardon and Kay Larson, Institute
of Contemporary Art, University of
Pennsylvania, 1981
Made by Sculptors, Door Beeldhouwers Gemaakt,
Stedelijk Museum, Amsterdam,
1978
Making Their Mark: Women Artists Move Into The Mainstream,
Cincinnati Art
Museum, New Orleans Museum
of Art, Denver Art Museum, Pennsylvania
Academy of the Fine Arts;
essays by Randy Rosen, Ellan Landau, Calvin
Tomkins, Judith Stein, Ann
Sargent-Wooster, Thomas McEvilley, Marcia
Tucker, Ferris, Olin Catharine
Brawer; Abbeville Press, NY, 1989
Metaphor, New Projects by Contemporary Sculptors,
Fox, Howard N. Hirshhorn
Museum and Sculpture Garden,
Smithsonian Institute, 1982
Monte Carlo Sculpture Festival: Contemporary American
Sculpture; Exhibition
organized by the Government
of the Principality, Monte Carlo; with an essay
by Robert T. Buck, 2000
Mythos & Ritual, essays by E. Billeter, A.
Pholen, G. Metken, R. Morris, H.
Sazinger, Kunsthaus, Zurich,
1981
Natur-Skulptur, essays by Andreas Vowinkel, Tilman
Osterwold, and Ruth
Meyer, Wurttembergischer
Kunstverein, Stuttgart, Germany, 1981, pp. 36-43
New Exhibitions: The Decade In Review: Selections
for the 1970's, The Whitney
Museum of American Art, New
York, Spring/Summer 1979
1979 Whitney Biennial Exhibition, The Whitney
Museum of American Art, New
York, 1979
1981 Biennial Exhibition, The Whitney Museum
of American Art, New York, 1981
Schwerlos, Jeannot Simmen, Berlin, Germany, 1991-92
Selections from the Permanent Collection, by
Hugh Davies and Ron Onorato,
San Diego Museum of Contemporary
Art, San Diego, California, 1990
Sitings, La Jolla Museum of Contemporary Art,
1986 edited and introduction by
Hugh M. Davies, Ronald J.
Onorato and Sally Yard
Ten. An American Renaissance, Painting And Sculpture
Since 1940, Museum of
Art Fort Lauderdale, 1986,
edited and introduction by Sam Hunter
Vergangenheit Gegenwart Zukunft, Zeitgenossisch
Kunst und Architecktur,
Wurttembergischer Kusntverein
Stuttgart, 1982
Waltzing Matilda, Guild Hall Museum, East Hampton,
New York, Introduction
by Henry Korn, Article by
Donna Stein, 1997
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