The Garden of Scripts (Villandry), 1986.
Ink on paper, 78 1/2” x 60”.
Private Collection
Project For Five Wells Descending a Hillside,
Oblique Section, 1975.
Pencil on vellum, 21” x 38”.
Private Collection
The Celestial City Game, 1988.
Black ink and watercolor on paper, 60" x 90".
Collection: Parrish Art Museum, East Hampton, NY
The New China Drawing (The World Above, the World Below),
1984. Ink, pencil, and crayon on Mylar, 96” x 108”.
Collection: Museum of Modern Art
Project Entitled “The City of the Walls”, Isometric, 1978.
Pencil on Vellum, 42“ x 72 1/2”.
Collection: Museum of Modern Art
From the Series Entitled How to Catch and Manufacture
Ghosts, “Collected Ghost Stories from the Workhouse”, 1980.
Pencil on mylar, 36” x 42”.
Private Collection
The Fallacy of the Great Water Spouter, 1998.
White ink and colored pencil on blue paper, 70" x 59”.
Collection of the Artist
The Glass Bead Game: Circling ‘Round the Ka’ba, 1985.
Pencil and pastel, on paper, 57 1/2” x 83”.
Private Collection
The New & Favorite Game of The Universe And The
Golden Goose Egg, detail, 1987.
Ink, pastel and watercolor on paper, 102” x 60”.
Private Collection
The Hundred Small Rooms (Another Tower of Babel) on the
Eve of the Industrial Revolution (A Pictorial Re-Creation of
the Raising of an Egyptian Obelisk In the Piazza di San Pietro,
Rome 1586) with Turning, Cranking..., 1984.
Pencil on Mylar, 36” x 54”.
Private Collection
Masonry Enclosure: Project for a Doorway,
Isometric Section, 1976.
Pencil on vellum, 36 1/2” x 52 1/2 “.
Collection: National Gallery, Wash. D.C.
The Miraculating Machine in the Garden (Tower of the
Winds), proposal for Douglass College, 1980.
Pencil on mylar, 39 5/8” x 42”.
Private Collection
Proposal for Olin Hall: Roanoke College: Rotary Lightening
Express (An Apparatus for Determining the Effects of
Mesmerism on Terrestrial Currents), 1980.
Pencil on vellum, 36” x 41”.
Private Collection
Project Entitled “A Shanty Town Which Has a Lunatic Charm
That
is Quite Engaging” or rather “A Shanty Town Inhabited
by Two
Lunatics Whose Charms are Quite Engaging”, 1978.
Pencil on vellum, 96” x 42”.
Collection: University of Massachusetts Fine Arts Center,
Amherst, Massachusetts
Wars on the Starry Night from The Eaters of the Night
(A Continuing
Series), 1993.
White ink and silkscreen on black paper, 45 1/2” x 31”.
Private Collection
The Wishbone Years, 1988.
Black ink on paper, 60” x 90”.
Collection of the Artist
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