ALICE AYCOCK

 
Sculpture / Installations
Drawings
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Sculptures: 1970's
Sand/Fans Maze
Walled Trench/Earth Platform/Center Pit
Low Building With Dirt Roof (For Mary)
Sand/Fans
Maze
Stairs (These Stairs Can Be Climbed)
A Simple Network of Underground Wells and Tunnels
Project for a Circular Building with Narrow Ledges for Walking
Wooded Shacks on Stilts With Platform
Project Entitled The Beginnings of a Complex...
The First National Bank Building, Dayton, Ohio, The Twentieth Floor- A Series of Twenty-one Walls
Project Entitled The Beginnings Of A Complex..., Excerpt Shaft #4/Five
The True and the False Project Entitled “The World Is So Full of a Number of Things”
Project Entitled “Studies for a Town”
The Angels Continue Turning The Wheels Of The Universe Despite Their Ugly Souls, Part II in which the Angel in the red dress returns to the center on a yellow cloud above a group of swineherds.(It was a pseudo-world of 
love-philters and death-philters)
Untitled Shanty (Medieval Wheel House)
The Machine That Makes the World
Project Entitled The Beginnings of a Complex..., For Documenta, The First National Bank Building, Dayton, Ohio, The Twentieth Floor- A Series of Twenty-one Walls
Low Building With Dirt Roof (For Mary) Stairs (These Stairs Can Be Climbed) Project Entitled The Beginnings Of A Complex..., Excerpt Shaft #4/Five Walls The True and the False Project Entitled
A Simple Network of Underground Wells and Tunnels Walled Trench/Earth Platform/Center Pit Project Entitled The Angels Continue Turning The Wheels Of The Universe Despite Their Ugly Souls, Part II in which the Angel in the red dress returns to the center on a yellow cloud above a group of swineherds. (It was a pseudo-world of 
love-philters and death-philters)
Project for a Circular Building with Narrow Ledges for Walking Wooded Shacks on Stilts With Platform

Project for a Circular Building with Narrow Ledges for Walking,
1976. Reinforced concrete, cast in place, wood, overall height
17’, 13’ above grade, 4’ below, exterior diameter 12’.
Sited at Silver Springs, Pennsylvania.

Walled Trench/Earth Platform/Center Pit, 1975.
Concrete block wall, 21’4” square x 3’ high x 5’ deep.
Gibney Farm near New Kingston, Pennsylvania

Sand/Fans, 1971. Approx. 20 feet square.
112 Greene Street Gallery, New York City.

Maze, 1972. Wood, 32’ diameter x 6’ high.
Gibney Farm near New Kingston, Pennsylvania

Low Building With Dirt Roof (For Mary), 1973.
Wood, stone, earth, 20’ wide x 12’ long x 30” high.
Gibney Farm near New Kingston, PA.

Stairs (These Stairs Can Be Climbed), 1974.
Wood, 10’ wide x 14’2” long x 13’4” high.
112 Greene Street Gallery, New York City.

A Simple Network of Underground Wells and Tunnels, 1975.
Concrete block, wood, earth,
approx. 28’ wide x 50’ long x 9’ deep.
Merriewold West, Far Hills, New Jersey.

Wooded Shacks on Stilts With Platform, 1976.
Wood, 23’ high x 18’ wide x 30’ long.
Sited at Hartford Art School, University of Hartford,
West Hartford, CT.

Project Entitled The Beginnings of a Complex...,
For Documenta, “Documenta 6”, Kassel, Germany, 1977.
Wood and concrete, Wall Facade: 40’ long; 8’, 12’, 16’, 20’, 24’
high respectively, Square Tower: 24’ high x 8’ square,
Tall Tower Group; 32’ high, Under construction.
Sited at “Documenta 6” Kassel, Germany.

The First National Bank Building, Dayton, Ohio,
The Twentieth Floor- A Series of Twenty-one Walls, 1977,
wallboard and wood. Each wall 16’ long and 11’ high and
spaced at intervals of 3’. Total depth 65’. Each wall had a
door/window opening alternating from the left to the right
side which could be reachedby a ladder. After the walls and
ladder were built, the sides were sealed with sheetrock.
Sited at Dayton, Ohio.

Project Entitled The Beginnings Of A Complex...,
Excerpt Shaft #4/Five Walls, 1977.
Wood, 28’ high x 8’ wide x 16’ long.
Art Park, Lewiston, NY.

The True and the False Project Entitled “The World Is So
Full of a Number of Things”, 1977. Wood and sheetrock,
rectangular section: 6’ wide x 12’ long and 13’ high.
Sited at 112 Greene Street Gallery, NYC.

Project Entitled “Studies for a Town”, 1977. Wood, 3’ to 10’
high, diameter varies from 11’ to 12 1/2’.
Collection: Museum of Modern Art, New York.

The Angels Continue Turning The Wheels Of The Universe
Despite Their Ugly Souls, Part II in which the Angel in the red
dress returns to the center on a yellow cloud above a group of
swineherds. (It was a pseudo-world of love-philters and death-
philters), 1978. Wood, 23’ sq. x 16’ high.
Sited at Stedelijk Museum, Amsterdam.

Untitled Shanty (Medieval Wheel House), 1978.
Wood, house approx. 8’ high x 4’ wide x 4’ long,
wheel approx. 8’ diameter.
Collection: Whitney Museum, New York.

The Machine That Makes the World, 1979.
Steel, wood, steel doors, pulleys, revolving drum,
8' high x 12' 1 1/2" wide x 38' long.
Sheldon Memorial Art Gallery,
University of Nebraska, Lincoln, Nebraska.

Untitled Shanty (Medieval Wheel House) The Machine That Makes the World
       

Copyright © 2008 Alice Aycock