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Alice Aycock

  • SCULPTURES
    • Sculptures Menu
    • 1970s
    • 1980s
    • 1990s
    • 2000s
    • 2010s
    • 2020s
    • Park Avenue Paper Chase
    • Small Sculptures
  • Drawings
    • Early
    • Recent
  • About
    • About the Artist
    • Artwork Locations
    • Alice Aycock Pavilion at Art Omi Pavilions
  • News
  • Contact

Project for Five Wells Descending a Hillside, 1975

Oblique Exterior and Oblique Section

Pencil on vellum

21 1/2” x 37 1/2” each

Masonry Enclosure: Project for a Doorway, 1976

Exterior A

Graphite on tracing paper, 34 3/16” x 50”

Exterior B: Section

Graphite on tracing paper, 34 1/4” x 24”

National Gallery, Washington, D.C., Gift of Werner Kramarsky

Project Entitled “The City of the Walls”, Isometric, 1978

Pencil on Vellum, 42“ x 72 1/2”.

Collection: Museum of Modern Art, New York, NY

Project Entitled: “A Shanty Town Whose Lunatic Charms...”, 1978

Project Entitled: “A Shanty Town Whose Lunatic Charms...” (Project Entitled: “A Shanty Town Inhabited By Two Lunatics...”), 1978

Pencil on vellum

96” x 42”

University of Massachusetts, Fine Arts Center, Amherst, MA

Collected Ghost Stories from the Workhouse, 1980

From the Series Entitled How to Catch and Manufacture Ghosts

Pencil on mylar, 36” x 42”

Private Collection

The Miraculating Machine in the Garden..., 1980

The Miraculating Machine in the Garden—Proposal for Douglass College (A 16’ high Structure with Moving Walls on a Conveyor System, Sounding Devices, Antennae, Bells Ringing in a Vacuum & a Cyclotron Pipe System for Sending Vibrations), 1980

Pencil on mylar

39 5/8” x 42 1/8”

Private Collection

Proposal for Olin Hall, Roanoke College: Rotary Lightning Express, 1980

Proposal for Olin Hall, Roanoke College: Rotary Lightning Express (An Apparatus for Determining the Effects of Mesmerism on Terrestrial Currents), 1980

36 5/8” x 41 1/8”

Private Collection

The Hundred Small Rooms on the Eve of the Industrial Revolution, 1984

Pencil and colored pencil on mylar

54” x 84”

The New China Drawing (The World Above, The World Below), 1984

Ink, pencil, and crayon on Mylar, 96” x 108”

Collection: Museum of Modern Art, New York, NY

The Glass Bead Game: Circling 'Round the Ka'Ba, 1985

Pencil and pastel on paper

57 1/2” x 83”

Private Collection

The Garden of Scripts (Villandry), 1986

Ink on paper

76” x 60 1/4”

Yale University Art Gallery, 2014, Gift of Sally and Wynn Kramarsky, New York

The New and Favorite Game of the Universe and the Golden Goose Egg, 1987

Ink, pastel, watercolor on paper

102 1/8” x 60”

Private Collection

The Celestial City Game, 1988

Black ink and watercolor on paper, 60” x 90”

Collection: Parrish Art Museum, Water Mill, NY

The Wish-Bone Years, 1988

Black ink on paper

59 1/2” x 101 1/4”

Wars on the Starry Night—The Eaters of the Night (A Continuing Series), 1993

White ink drawings and silkscreen print on black paper

45 1/2” x 31 1/8”

Private Collection

Project for Five Wells Descending a Hillside, 1975

— view —

Masonry Enclosure: Project for a Doorway, 1976

— view —

Project Entitled “The City of the Walls”, Isometric, 1978

— view —

Project Entitled: “A Shanty Town Whose Lunatic Charms...”, 1978

— view —

Collected Ghost Stories from the Workhouse, 1980

— view —

The Miraculating Machine in the Garden..., 1980

— view —

Proposal for Olin Hall, Roanoke College: Rotary Lightning Express, 1980

— view —

The Hundred Small Rooms on the Eve of the Industrial Revolution, 1984

— view —

The New China Drawing (The World Above, The World Below), 1984

— view —

The Glass Bead Game: Circling 'Round the Ka'Ba, 1985

— view —

The Garden of Scripts (Villandry), 1986

— view —

The New and Favorite Game of the Universe and the Golden Goose Egg, 1987

— view —

The Celestial City Game, 1988

— view —

The Wish-Bone Years, 1988

— view —

Wars on the Starry Night—The Eaters of the Night (A Continuing Series), 1993

— view —

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